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During the '90s Andy Moor and John Butcher met at various festivals where the EX were playing. The opportunity to work together came in 2000 when synthesizer player Thomas Lehn joined them for a Recyclart concert in Brussels.
It looks like the trio was created by a computer, such is the perfect disposition of sounds, minds and absolute respect for one another that the three players brought to the table. Andy Moor has his strings going from a rusty scrape to an ethereal drone of adjacent tones, going into territories near to "Branca/Chatham/Moore & Ranaldo" school, while Lehn gets incredibly various manifestations from his analogue EMS synthesizer, resulting maybe in the most creative synthetist in recent and not so recent years; Thomas literally puts to shame the ones who use Oberheims and Wavestations for a single low note (the so called "Dark Ambient Syndrome"). But something must be said for many sax players, because after they'll experience John Butcher's talent, his multiphonic control, his dynamics domination, the beauty of his "regular" tone - well, they won't be missed when they'll finally put their instrument away, together with their dusty "Real Books".
Thermal
Recorded at Studio 1, Overtone, Amsterdamfull info: Unsounds read: Jazz Weekly :: allmusic Listen ∇ tongue |